Āhārya – a tradition to be passed on with reverence - Supriya Shivarudrappa Bharata says, “Bhushaṇa is the proper use of Alankāras and guṇas in accordance with the rasa, with an eye to rasouchitya”. One of the eloquent forms of communicating is through costumes,...
Vaishnavism in Sattriya - Sridevi Jagannath and Rohini Ananth, Disciples of Adhyapak Dipankar Arandhara and Dipjyothi Das In the 2nd and 3rd century C.E., Vaishnavism was largely rejected and ignored. But, by the 4th century, it was adopted as the royal religion....
A well-presented Carnatic Flute Recital -Aniruddha Bharadwaj Ananya, in association with the Dept. of Kannada and Culture, had organized Vid. Deepak Hebbar’s Carnatic Flute Recital on 11th June 2022 at Ananya Sabhangana, Malleshwaram. Vid. Deepak was accompanied by...
The sparkle for the evening was set by Malavika Nair, the disciple of Vani Ganapathy, who rendered a sprightly Bharatanatyam performance. Her opening statement showcased the subjugation of the serpent Kalinga by Lord Krishna followed by the exposition of the...
Chapter 3 SRUTIS AND THEIR FUNDAMENTAL PROPERTIES 3.4.1 The cycle of fifths and the cycle of fourths One way of deriving the 22 srutis of our music is to use the well-known cycle of fourths and the cycle of fifths. The ‘fifth’ note referred to above is nothing but...
