ANANYA KALASINCHANA
‘Ananya Kalasinchana’, which was earlier known as ‘Ananya Abhivyakthi’, is a bi-lingual monthly (Kannada and English) magazine. For over 20 years, print version of the magazine was brought out and sent to the subscribers. It is a forum for artists to document their thoughts and express their interest. In 2019, it was made available, for free, digitally through an app, which carries magazines till date. The app can still be accessed here.
Kalasinchana takes on a new form of an online blog in 2022. While the forms of access have changed in tune with time, the content of the magazine has always remained relevant and useful to the artiste fraternity. The blog continues to consist of in-depth articles on music, dance and associated literature, as well as scientific interpretations of arts. It features reports and announcements about upcoming events by various organizations, including Ananya’s.
Ananya Kalasinchana is dedicated to the cause of arts and continues to be a much loved and read portal by students, practitioners and connoisseurs alike.
To contribute articles to Kalasinchana, please write to us at ananyakalasinchana@gmail.com
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Srutis and Srutibheda (Part 9)
APPLICATION OF SRUTIBHEDA TO JANAKA RAGAS 4.1 Introduction This chapter deals with the application of modal shift of tonic to janaka ragas. The srutibheda possibilities for each janaka raga are determined using a computer program and tabulated. The results agree...
ಕಲಾವಿದರಿಗೆ ಆರ್ಥಿಕ ಭದ್ರತೆ ದೊರಕಿಸಲು ಸರ್ಕಾರಿ ಉದ್ಯೋಗಗಳ ಸೃಷ್ಟಿ ಸಾಧ್ಯವಿಲ್ಲವೇ?
' ಕಲೆ ' ಎಂಬ ಬಹು ಸುಂದರ ಪುಷ್ಪದ ವಿವಿಧ ಎಸಳುಗಳಂತೆ ಇಂದು ಅನೇಕ ಪ್ರತಿಭಾವಂತ ಕಲಾವಿದರು ನಮ್ಮ ಮುಂದಿದ್ದಾರೆ. ಸದಾ ಸುಗಂಧವನ್ನು ಬೀರುತ್ತಾ, ಕಲಾ ರಸಿಕರಿಗೆ ನೀಡುವ ಮನೋರಂಜನೆ ಹಾಗೂ ಕಲಾ ಸೌಂದರ್ಯದ ಪ್ರಸ್ತುತಿಯಲ್ಲಿ ನಮ್ಮ ಕಲಾವಿದರು ಎಂದೆಂದಿಗೂ ಹಿಂದೆ ಬಿದ್ದಿಲ್ಲ. ಸಂಗೀತಗಾರರೇ ಇರಲಿ, ನೃತ್ಯ- ನಾಟಕ ಕಲಾವಿದರೇ ಇರಲಿ...
Melodious Carnatic Vocal Recital – Report
Vid. KalavathyAvadhoot performed a Carnatic concert for Ananya as part of the monthly concert series. It was of an exalted rank soaked in melody, and well supported by Vid.Mattur Srinidhi on violin, Vid. B C Manjunath on mridanga and Vid.Bharadwaj Sathavalli on...
Ananya Nruthyollasa 70 – Report
Hazy Baanis Need Not Impact Style When three dancers, who’ve etched an individual path as performers and teachers, having learned from a few quarters, take to stage together as soloists, it is not comparisons that come to mind, but their ability to have imbibed...
SONG AND STORY #4: MEERA – Confrontations
SONG AND STORY is a series of articles that stitches pieces of fiction writing with songs that have popularly been a part of dance repertoires. Born out of an exploration under the UNBOXED series, these articles aim at providing parallel, contra-indicative or...
Devi – A different Perspective – Anger Vs Power
When I contemplate as a woman and a dancer, I find Devi as a concept , very often not explored to its true meaning or essence. She is either fierce , or angry, or beautiful etc. Constantly jumping about various emotions. What I find it difficult to grasp, is that...
