APPLICATION OF SRUTIBHEDA TO JANAKA RAGAS 4.1 Introduction This chapter deals with the application of modal shift of tonic to janaka ragas. The srutibheda possibilities for each janaka raga are determined using a computer program and tabulated. The results agree...
' ಕಲೆ ' ಎಂಬ ಬಹು ಸುಂದರ ಪುಷ್ಪದ ವಿವಿಧ ಎಸಳುಗಳಂತೆ ಇಂದು ಅನೇಕ ಪ್ರತಿಭಾವಂತ ಕಲಾವಿದರು ನಮ್ಮ ಮುಂದಿದ್ದಾರೆ. ಸದಾ ಸುಗಂಧವನ್ನು ಬೀರುತ್ತಾ, ಕಲಾ ರಸಿಕರಿಗೆ ನೀಡುವ ಮನೋರಂಜನೆ ಹಾಗೂ ಕಲಾ ಸೌಂದರ್ಯದ ಪ್ರಸ್ತುತಿಯಲ್ಲಿ ನಮ್ಮ ಕಲಾವಿದರು ಎಂದೆಂದಿಗೂ ಹಿಂದೆ ಬಿದ್ದಿಲ್ಲ. ಸಂಗೀತಗಾರರೇ ಇರಲಿ, ನೃತ್ಯ- ನಾಟಕ ಕಲಾವಿದರೇ ಇರಲಿ...
Vid. KalavathyAvadhoot performed a Carnatic concert for Ananya as part of the monthly concert series. It was of an exalted rank soaked in melody, and well supported by Vid.Mattur Srinidhi on violin, Vid. B C Manjunath on mridanga and Vid.Bharadwaj Sathavalli on...
Chapter 1 Rudrapatna - Karnataka’s green and music belt Ranjani Govind Photos by Rudrapatnam S. Ramakanth This is the land of Cauvery, the river flowing in a copious stream, melodious in its rhythm, the waves gently sluicing on to the lush green shores, the...
Chapter - 3 (continued) SRUTIS AND THEIR FUNDAMENTAL PROPERTIES 3.4.4 Analytical derivation of the 22 srutis We begin by referring to Table 3.2. which summarizes the relative frequencies of the 12 dominant swaras. This table is seen slightly modified in Table 3.6...
Chapter 3 SRUTIS AND THEIR FUNDAMENTAL PROPERTIES 3.4.1 The cycle of fifths and the cycle of fourths One way of deriving the 22 srutis of our music is to use the well-known cycle of fourths and the cycle of fifths. The ‘fifth’ note referred to above is nothing but...
