ವಸುಂಧರಾ ಬಾನಿ - ಪಂದನಲ್ಲೂರ್ ಶೈಲಿ ಆಧಾರಿತ - ಡಾII ಲಕ್ಷ್ಮೀ ರೇಖಾ ಅರುಣ್ ಬಾನಿ ಎಂದರೆ ಶೈಲಿ ಎಂದರ್ಥ ಮಾಡಿಕೊಳ್ಳಬಹುದು. ಯಾವುದೇ ಕಲಾ ಪ್ರಕಾರದಲ್ಲಿ ಪರಂಪರಾನುಸಾರವಾಗಿ ಬಂದಂತಹ ಪದ್ಧತಿಗಳನ್ನು ರೂಢಿಸಿಕೊಂಡು ಅವನ್ನು ಅಭ್ಯಸಿಸಿ ಮುಂದುವರೆಸಿಕೊಂಡು ಹೋಗುವುದೇ ಬಾನಿ. ಬಾನಿ ಎಂಬುದು ಪ್ರಸಿದ್ಧಿಗೆ ಬಂದದ್ದು...
Kaḷāsa – Its Dynamics and Aesthetic Delineation in Accordance with the Textual Traditions of the Medieval To Modern Period - Padmini Shreedhar Classical dance is well identified by its technical features and its unique specifications in execution. Classical dance...
Menority - Dr. Seshadri Iyengar - Shashank K Nair Dr. Seshadri Iyengar is a multifaceted personality. Apart from being a freelance, Neo-Classical Bharatnatyam dancer, teacher, choreographer, and art organizer he is also a Homoeopathic Physician and...
Kantara - The Politics of Divinity - An Artistic observation - Ramaa Venugopalan Kantara made headlines for many reasons. In the present scenario, where everything seems to be viewed through a politico-religious lens, i wondered if the movie had more to offer. As...
Chapter 3 Kaveri (Cauvery) as a life force for Sanketis Ranjani Govind Photos by Rudrapatnam S. Ramakanth For the Telugu musical saint Bhadrachala Ramadas who sang ‘Adigo bhadradri, goutami idigo choodandi’ it must have been an inspiration as he reflected on the...
Empowering rural community children through the medium of dance – The vision of Bhagavata Mela exponent and Guru, Melattur Late Sri S Natarajan! -Priyamvadha Murali "Karmanyevadhikaraste Ma Phaleshu Kadachana, Ma Karmaphalaheturbhurma Te Sangostvakarmani"...