Yuva Nota : Anjana Ramesh

An Interview with Anjana Ramesh -Kavya Kasinathan Bhava, Raga and Tala, which embodies the supreme art of Bharatnatyam fascinated Anjana Ramesh at a tender age and motivated her to learn the artform. Having undergone extensive training in the artforms of...

Yuva Nota – Shreema Upadhyaya

Bhava, Raga and Tala, which embodies the supreme art of Bharatnatyam fascinated Shreema Upadhyaya at a tender age and motivated her to learn the artform. Following her passion with dedication and sincerity, she has blossomed under the nurturing guidance of her Guru...

Pandanallur Bᾶni – My steady side

Bharatanatyam is one of the oldest surviving classical dance forms of India. From the heavens to temples, from temples to courts and from the courts to sabhas, Bharatanatyam has evolved differently at each stage. From being known as the ‘Sadir’, ‘Chinna Melam’ and...